Here are some notes that I have taken from Zbukvic's DVD Tutorials.
Notes from Joseph Zubkvic DVD
- Among the 3, Zbukvc paints in a more systematic way. He wait for the wash to dry before loading on new and thicker layer. ( Think tea, milk honey)
- When painting background, pretend it is not there. Recognize its shape and not be bugged down by the details
- Place emphasis on composition than subject matter.
- Never worry about the end result until the fat lady see it. ( Let the paint do its thing)
- Concern yourself only with the color temperature. Tone is key and strength of color is more of a concern than actual chroma
- Do not dabble around with strokes. Have bold and confident brush strokes.
- leave white for opportunity. Accidental whites are great. You never get them back if you cover them all.
- Important to observe the beads of your wash. Once its gone, its game over. Connect shapes appropriately and early on.
- Dramatize shadows and form.
- On-site studies provide the best reference for bigger studio work.
important to not be bug down by details. Allow background shapes to remain just as shapes. |
careful observation of the Mr bead is important for one to continue throughout the paintings |
The effect of edges can be decided by Artist. |
Subject may move but you can lock their gestures. Charging the trees and their shadow with thicker paint to anchor their compositional element in the painting. |
an example of soft edges over the painting |
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